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Cracker's Place


 Mae West
 

                                      Mae West, with a rose

 

 

 

 

 

 

 

 

 

 

 

Save a boyfriend for a rainy day--and another, in case it doesn't.

An ounce of performance is worth pounds of promises.

Men are my hobby, if I ever got married I'd have to give it up.

The score never interested me, only the game.

All discarded lovers should be given a second chance, but with somebody else.

Men are all alike--except the one you've met who's different.

Some men are all right in their place--if they only knew the right places!

Too many girls follow the line of least resistance--but a good line is hard to resist.

Posted by Cracker at 9:27 PM - 5 Comments   Add a Comment  
 

 Rock'nRoll
 

               

The central musical instrument in most kinds of rock music is the electric guitar. Important figures in the history of this instrument include jazz musician Charlie Christian, who in the late 1930s was one of the first to play the amplified guitar as a solo instrument; Aaron Thibeaux “T-Bone” Walker, the first blues musician to record with an amplified guitar (1942); Leo Fender, who in 1948 introduced the first mass-produced solid-body electric guitar; and Les Paul, who popularized the instrument in the early 1950s with a series of technologically innovative recordings. Rock-and-roll guitarist Chuck Berry established a style of playing in the late 1950s that remains a great influence on rock music. Beginning in the late 1960s a new generation of rock guitarists, including Jimi Hendrix, Eric Clapton, and Carlos Santana, experimented with amplification, feedback (a type of electronic sound distortion), and various electronic devices, extending the musical potential of the instrument.

Other instruments commonly used in rock music include the electric bass guitar (introduced by Fender in 1951); keyboard instruments such as the electric piano, organ, and synthesizer; and the drum set, an African American innovation that came into rock music from jazz and R&B music. Instruments that play important roles in certain rock-music genres include the saxophone—prominent in jazz-rock and soul music—and a wide assortment of traditional instruments used in worldbeat music. The microphone also functions as a musical instrument for many rock singers, who rely upon the amplification and various effects (such as echo) obtainable through electronic means.

Rock music also shares more complex technical aspects. Most rock music is based on the same harmonies as Western music, especially the chords known as tonic, subdominant, and dominant (see Harmony: Functional Chord Names). The chord progression (series of chords) known as the 12-bar blues is based on these chords and has figured prominently in certain styles, especially rock and roll, soul music, and southern rock. Other common harmonic devices include the use of a drone, or pedal point (a single pitch sustained through a progression of chords), and the parallel movement of chords, derived from a technique on the electric guitar known as bar-chording. Many elements of African American music have been a continuing source of influence on rock music. These characteristics include riffs (repeated patterns), backbeats (emphasizing the second and fourth beats of each measure; see Musical Rhythm: Pulse and Meter), call-and-response patterns, blue notes (the use of certain bent-sounding pitches, especially those related to the third and fifth degrees of a musical scale), and dense buzzy-sounding timbres, or tone colors.

 
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Posted by Cracker at 7:02 AM - 4 Comments   Add a Comment  
 
 Piece of the Cracker
 

Got the low-down dirty blues tonight so I guess I will haul my ass off to bed...I hope this heat lets up cause I've read about everything I can find around here...I just finished a fairly good book about Storyville...why I made the post...anyway...I'm goin' bonkers in this 2x2 apartment...gotta get outta here and go do something even if its wrong...you all be good...hard as it is to do sometimes...love ya... Cracker
Posted by Cracker at 12:05 AM - 2 Comments   Add a Comment  
 

 Storyville....
 

Storyville was the prostitution district of New Orleans, Louisiana from 1897 through 1917.

Locals usually simply referred to the area as The District. The nickname Storyville was in reference to city alderman Sidney Story, who wrote the legislation setting up the district. Most of this former district is now occupied by the Iberville Housing Projects, two blocks inland from the French Quarter.

One of the few surviving buildings from Storyville, 2005 photograph. 100 years earlier, the "New Image Supermarket" building housed Frank Early's saloon, where Tony Jackson regularly played.
One of the few surviving buildings from Storyville, 2005 photograph. 100 years earlier, the "New Image Supermarket" building housed Frank Early's saloon, where Tony Jackson regularly played.

The District was set up to limit prostitution to one area of town where authorities could monitor and regulate the practice. In the late 1890s, the New Orleans city government studied the legalized red light districts of northern German and Dutch ports and set up Storyville based on such models. Between 1895 and 1915, "blue books" were published in Storyville. These books were guides to prostitution for visitors to the district's services including house descriptions, prices, particular services, and the "stock" each house had to offer. The Storyville blue-books were inscribed with the motto: "Order of the Garter: Honi Soit Qui Mal Y Pense (Evil to Him Who Evil Thinks.)"

Establishments in Storyville ranged from cheap "cribs" to more expensive houses up to a row of elegant mansions along Basin Street for well-heeled customers (the term "crib" originated in San Francisco's red-light district.) New Orleans' cribs were fifty-cent establishments whereas the more expensive establishments could cost up to ten dollars. Black and white brothels coexisted in Storyville; however, black men were barred from legally purchasing services rendered in either black or white brothels. Nonetheless, brothels with black prostitutes serving blacks openly flourished with the full knowledge of the police and other local authorities a short distance uptown from Storyville proper.[citation needed]

The District was adjacent to one of the main railway stations where travelers arrived in the city and became a noted attraction for many visitors.

Jazz did not originate in Storyville (it started off as a New Orleans style of music played all over town), but it flourished there as in the rest of the city; many out-of-town visitors first heard this style of music there before the music spread up north. Some early jazz writers suggested that Storyville was key in the development of jazz and that its closing was responsible for New Orleans musicians leaving for Chicago, but this is now regarded as inaccurate. Some people from elsewhere continue to associate Storyville with the origins of jazz. It was tradition in the better Storyville establishments to hire a piano player, and sometimes small bands.

The District was closed down by the federal government (over the strong objections of the New Orleans City Government) during World War I in 1917. In regard to prostitution, New Orleans Mayor Martin Behrman pronounced that, "[y]ou can make it illegal, but you can't make it unpopular." After 1917, when Storyville was shut-down, separate black and white underground dens of prostitution emerged around the city.

The District continued in a more subdued state as an entertainment center through the 1920s, with various dance halls, cabarets, and restaurants. Speakeasies, gambling joints, and prostitution were also regularly found in the district despite repeated police raids.

Almost all the buildings in the former District were demolished in the 1930s to clear the land for the building of the Iberville Projects. While much of the area contained old and decayed buildings, the old mansions along Basin Street, some of the finest structures in the city, were also leveled. The city government wished to do all it could to blot the notorious district from memory. Basin Street was even renamed "North Saratoga" (although the historic name was returned some 20 years later).

One of Bellocq's Storyville photographs

SOne of the deliberately damaged Storyville photographst

oBrooke Shields and Carradine (center left) with Susan Sarandon (center right) in Pretty Baby, posed in a setting with costumes and poses inspired by the photos of Bellocqryville

Posted by Cracker at 10:13 PM - 13 Comments   Add a Comment  
 

 Nick Of Time
 

                                     
Posted by Cracker at 3:51 PM - 8 Comments   Add a Comment  
 
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